{"id":2055,"date":"2026-03-14T20:28:15","date_gmt":"2026-03-15T03:28:15","guid":{"rendered":"https:\/\/lauragrey.com\/?p=2055"},"modified":"2026-03-14T20:28:16","modified_gmt":"2026-03-15T03:28:16","slug":"the-woman-at-the-heart-of-hamnet","status":"publish","type":"post","link":"https:\/\/lauragrey.com\/?p=2055","title":{"rendered":"The Woman at the Heart of Hamnet"},"content":{"rendered":"\n<p>Oscar-winning Chinese filmmaker <a href=\"https:\/\/www.imdb.com\/name\/nm2125482\/\">Chlo\u00e9 Zhao<\/a>\u2019s stunning 2025 film\u00a0<em><a href=\"https:\/\/www.imdb.com\/title\/tt14905854\/\">Hamnet<\/a><\/em> and two other introspective and intimate <a href=\"https:\/\/variety.com\/lists\/2026-oscars-predictions\/best-picture-8\/\">Best Picture Oscar nominees<\/a> this year feature stories of familial tension and loss. Zhao&#8217;s intense and beautiful contender for the award joins <a href=\"https:\/\/lauragrey.com\/?p=2018\"><em>Sentimental Value<\/em><\/a> and <a href=\"https:\/\/lauragrey.com\/?p=2018\"><em>Train Dreams<\/em><\/a>, all of which often convey a great deal in few words.<\/p>\n\n\n\n<p>The film is named for the son of <a href=\"https:\/\/www.shakespeare.org.uk\/explore-shakespeare\/shakespedia\/william-shakespeare\/william-shakespeare-biography\/\">William Shakespeare<\/a> and his wife <a href=\"https:\/\/www.shakespeare.org.uk\/explore-shakespeare\/shakespedia\/william-shakespeare\/william-shakespeares-family\/anne-hathaway\/\">Agnes<\/a> (who was also known as <a href=\"https:\/\/www.shakespeare.org.uk\/visit\/anne-hathaways-cottage\/\">Anne Hathaway<\/a>). As the film tells us at its outset, the name <a href=\"https:\/\/news.northeastern.edu\/2026\/01\/02\/hamnet-movie\/\">Hamnet was often used interchangeably with the name Hamlet <\/a>during Shakespeare\u2019s time. Hamlet is, of course, also the name given to Shakespeare\u2019s most famous character, as well as to Prince Hamlet&#8217;s father (the late King Hamlet), and to <a href=\"https:\/\/www.folger.edu\/explore\/shakespeares-works\/hamlet\/read\/\">the play that bears their shared name<\/a>.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.discoverbritain.com\/whats-on\/news-events\/hamnet-film\/\">Hamnet<\/a><\/em>\u00a0is frequently, and accurately, described as a film about how Will and Agnes handle their grief over the loss of their son. However, that spoiler (which every film reviewer and plot description I\u2019ve seen has broadcast to the world) does not express how unusual Will and Agnes\u2019s relationship is. A short blurb can&#8217;t convey how much the loss of a\u00a0child affects a family&#8217;s world, and in this case, the world at large. Nor does it make clear that neither Will nor his son Hamnet stands at the heart of the film, as one might expect.<\/p>\n\n\n\n<p>It is the earthy and somewhat mystical Agnes who carries the film on her strong shoulders. She immediately impresses us with her forthright nature. The film introduces Will\u2014surprisingly and intriguingly\u2014as her awkward, less self-assured, more inwardly focused partner. This is not the confident and winning playwright whom <a href=\"https:\/\/www.imdb.com\/name\/nm0001212\/\">Joseph Fiennes<\/a> portrayed in the light and comic Oscar-winner\u00a0<em><a href=\"https:\/\/www.youtube.com\/watch?v=v5R5La5f3eo\">Shakespeare in Love<\/a><\/em>\u00a0(released in 1998 and written by the late playwright <a href=\"https:\/\/www.britannica.com\/biography\/Tom-Stoppard\">Tom Stoppard<\/a>). <em>Hamnet<\/em> shows us a fragile, often melancholic version of Will, a man who loves his family deeply, but is driven by his own intense need to create, and must leave the family&#8217;s rural home to pursue his dramatic gifts in London.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/lauragrey.com\/wp-content\/uploads\/2026\/03\/Hamnet.png\"><img loading=\"lazy\" decoding=\"async\" width=\"937\" height=\"526\" src=\"https:\/\/lauragrey.com\/wp-content\/uploads\/2026\/03\/Hamnet.png\" alt=\"A close-up photo showing the faces of Jessie Buckley as Agnes and Paul Mescal as William Shakespeare in the movie Hamnet. Both actors are shown with their faces in closeup and their faces and eyes cast down.\" class=\"wp-image-2058\" srcset=\"https:\/\/lauragrey.com\/wp-content\/uploads\/2026\/03\/Hamnet.png 937w, https:\/\/lauragrey.com\/wp-content\/uploads\/2026\/03\/Hamnet-300x168.png 300w, https:\/\/lauragrey.com\/wp-content\/uploads\/2026\/03\/Hamnet-768x431.png 768w\" sizes=\"(max-width: 937px) 100vw, 937px\" \/><\/a><figcaption class=\"wp-element-caption\">Jessie Buckley as Agnes and Paul Mescal as William Shakespeare in Hamnet<\/figcaption><\/figure>\n\n\n\n<p>Having read much about the impact that grief over the death of a child has on the story, I put off seeing the film. I feared it would leave me devastated, like <a href=\"https:\/\/william-styron.com\/\">William Styron<\/a>&#8216;s\u00a0<em><a href=\"https:\/\/www.sparknotes.com\/lit\/sophies-choice\/summary\/\">Sophie\u2019s Choice<\/a>\u00a0<\/em>and <a href=\"https:\/\/www.britannica.com\/biography\/Thomas-Hardy\">Thomas Hardy<\/a>&#8216;s\u00a0<em><a href=\"https:\/\/www.britannica.com\/topic\/Jude-the-Obscure\">Jude the Obscure<\/a><\/em> did.\u00a0But I didn&#8217;t anticipate how co-writers Chlo\u00e9 Zhao and <a href=\"https:\/\/lithub.com\/maggie-ofarrell-on-grief-her-history-with-shakespeare-and-adapting-her-novel-to-the-screen\/\">Maggie O\u2019Farrell<\/a> (whose screenplay is based on O&#8217;Farrell&#8217;s novel) would bring their characters and audience to a point of catharsis as moving as any I\u2019ve seen this year.\u00a0<\/p>\n\n\n\n<p>It would be misleading to say that it is a feel-good movie. It deals with grief in heartbreaking and believable ways. The cause of characters\u2019\u00a0pain\u00a0doesn\u2019t evaporate when they glean insights or find ways to connect to others through their grief. But\u00a0<em>Hamnet<\/em> helps us see how understanding and empathy can create not only essential human connection, but also great works of art. The story examines how grief can help people discover deeper love and greater purpose in their lives and relationships. It does not argue that grief is good, nor that suffering is worthwhile. But it does help us see how even something dreadful can lead us to understand others more deeply or clearly, or impart knowledge that lets us create things we couldn\u2019t otherwise achieve.\u00a0<\/p>\n\n\n\n<p>The magic at the center of the production is the transcendent performance by Best Actress Oscar nominee <a href=\"https:\/\/news.sky.com\/story\/the-rise-of-jessie-buckley-from-reality-tv-to-hamnet-and-oscars-history-13517184\">Jessie Buckley<\/a>. She plays Agnes with profound passion, honesty, and heart as the counterpart to <a href=\"https:\/\/variety.com\/t\/paul-mescal\/\">Paul Mescal<\/a>&#8216;s moving performance as Will. In playing a woman who engages with others and the world in an open, direct way, Buckley could have come across as brash. But Agnes\u2019s inability to play the coquette or defer to her family\u2019s desires isn\u2019t selfish or brazen. She simply cannot be untrue to those whom she loves, or to the things she holds dear and believes to be true.\u00a0<\/p>\n\n\n\n<p>Agnes is bold, stubborn, grounded, and sometimes wary. But there is a purity and sincerity to her that moves her family, and us. In <em>Hamnet<\/em>, Jessie Buckley delivers an astonishing and luminous performance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jessie Buckley&#8217;s performance as William Shakespeare&#8217;s wife Agnes in the film Hamnet is extraordinary<\/p>\n","protected":false},"author":3,"featured_media":2066,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[27,25],"tags":[37,1702,1701,1700,1657,1710,764,1697,1698,1704,1707,1711,233,1699,1712,1703,1706,1708,1705,595,1709],"_links":{"self":[{"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/posts\/2055"}],"collection":[{"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lauragrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2055"}],"version-history":[{"count":15,"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/posts\/2055\/revisions"}],"predecessor-version":[{"id":2072,"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/posts\/2055\/revisions\/2072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lauragrey.com\/index.php?rest_route=\/wp\/v2\/media\/2066"}],"wp:attachment":[{"href":"https:\/\/lauragrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lauragrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lauragrey.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}