Laura Grey

Search

Skip to content

Home
About Laura Grey
Articles
Galleries
Contact Laura

Search for:

Art

Assemblages

Gallery August 5, 2014 Laura Grey

Metal mesh, wire and acrylic assemblage on canvas by Laura Grey

Metal watch and clock parts and acrylic assemblage on canvas by Laura Grey

Mixed media assemblage incorporating wasp nest paper by Laura Grey

Wire, metal and glass beads and acrylic assemblage on canvas by Laura Grey

Coral, carnelian, citrine, jasper and agate beads, wire and acrylic assemblage on canvas by Laura Grey

Assemblage of pins, nail lacquers and acrylic on canvas by Laura Grey

Watercolor and eggshell assemblage on paper by Laura Grey

Wax and acrylic assemblage on canvas by Laura Grey

Brass mesh and acrylic assemblage on canvas by Laura Grey

Botanical pods and acrylic assemblage on canvas by Laura Grey

Assemblage with watch parts and acrylic on canvas by Laura Grey.

Metal, glass and wooden beads, pearls, wire and acrylic assemblage on canvas by Laura Grey

Metal mesh, wax and acrylic assemblage on canvas by Laura Grey

Wax and glass beads assemblage on canvas by Laura Grey

Wire, metal mesh and acrylic assemblage on canvas by Laura Grey

Brass mesh, wire and acrylic assemblage on canvas by Laura Grey

Metal mesh, watch parts and acrylic assemblage on canvas by Laura Grey

Wax, pearls, sodalite beads and acrylic assemblage on canvas by Laura Grey

Wax, beads and acrylic assemblage on canvas by Laura Grey

Bamboo, glass, metal and stone beads and pearls, wire and acrylic assemblage on canvas by Laura Grey

Metal mesh, wire and acrylic on canvas assemblage by Laura Grey

Lichen, moss, twigs, carved jade and acrylic assemblage on canvas by Laura Grey

Mixed media on canvas assemblage by Laura Grey

Metal mesh and acrylic assemblage on canvas by Laura Grey

Turquoise and aventurine beads, freshwater pearls, wire and acrylic assemblage on canvas by Laura Grey

Glass and acrylic assemblage on canvas by Laura Grey

9021 Total Views 2 Views Today

Post navigation

Previous PostAcrylic Paintings Next PostMonsieur Ibrahim

Galleries

This gallery contains 38 photos.

Assemblages
August 5, 2014 Laura Grey
This gallery contains 22 photos.

Acrylic Paintings
August 5, 2014 Laura Grey
This gallery contains 8 photos.

Drawings
August 5, 2014 Laura Grey
This gallery contains 5 photos.

Watercolor Paintings
August 5, 2014 Laura Grey

More galleries →

Videos

[Revised from version originally published in April 2015.]

Load up on guns, bring your friends
It’s fun to lose and to pretend
She’s over bored and self assured
Oh no, I know a dirty word

Long before Kurt Cobain displayed the depth of his hopelessness to the world by taking his own life, his fans had known he was suffering. Anyone who has listened to Kurt Cobain sing “Smells Like Teen Spirit” has heard the pain in his voice. Every Nirvana song is built upon a platform of angst—the music, the lyrics, the growls and wails all make the turmoil and drama inside Cobain’s head quite clear and accessible for anyone to hear. This transparency of feeling is what makes Nirvana’s music great and greatly beloved: it taps into a primordial well of anxiety, anger, longing and disillusionment in listeners and makes us feel as if our own personal, raw feelings are being scooped up, wallowed in and worn like warpaint by a rock god for all the world to see.

The obviousness of Cobain’s extreme pain was so evident to millions of people years before his suicide in 1994, so it comes as a shock to watch interviews with his friends and family and see how many cries for help they ignored, how little aid they sought for him, how limited were their resources in guiding him toward hope even after he became one of the most famous people in the world. The very elements of his psyche that made his art so powerful and meaningful to others were the parts that caused him the most misery. His charisma, stubbornness, insularity and difficult personality seem to have paralyzed those who should have seen him clearly and helped him most directly. These same characteristics and his remarkable ability to build a bridge between himself and other disaffected souls brought him a level of scrutiny that made him feel trapped in a dangerous tidal wave of success that he was constantly trying to ignore and retreat from. It’s as if he was hiding in plain sight.

With the lights out, it’s less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us

All of this becomes devastatingly clear in Brett Morgen’s excellent HBO documentary Kurt Cobain: Montage of Heck. The first film about Cobain to have the support of his daughter Frances Bean Cobain (who is also one of the film’s executive producers) and her mother, Kurt’s widow Courtney Love, this documentary could never have been made without their treasure trove of audio recordings, videos, home movies, drawings and family photos and access to Cobain’s diaries and notebooks. All of these elements come to life in stunning animated montages that make us feel as if we’re in the room with Kurt, his mom, his wife, his baby and bandmates Krist Novoselic and Dave Grohl. Sometimes we feel as if we’re inside Kurt’s head as well.

Come as you are, as you were
As I want you to be
As a friend, as a friend
As an old enemy

His violent and disturbing drawings, his remembrances of distressing moments in his personal history and the pained, sad stories of those with whom he lived and worked make abundantly clear how lonely, frightened and angry he was from a very early age. But the home movies of him as a baby and child show a heartbreakingly sweet and pretty little boy with a beautiful voice. He was hungry for attention and constantly in need of deep soothing that he rarely received. It hurts to see him so fresh and so loved, and to know that his overwhelmed parents, stepmother, siblings and friends had no idea how to deal with his enormous kinetic energy, his destructive impulses or his lack of self-control. The things he needed most—stability, understanding, unconditional love and safe ways to soothe himself—seemed nearly always out of reach, so he went for one dangerous activity, addiction or relationship after another, and that resulted in self-loathing and mental disintegration.

Two interviews really stand out among those in the film. One was with his stepmother, with whom he had a very difficult relationship. She recognized how abandoned and unwanted he must have felt when he was kicked out of his parents’ houses and moved from one to the other, then went off to a grandparent and moved back around through the family again. She expressed regret that she hadn’t recognized his pain at the time but could only be frustrated by his acting out and worried about the effect of his behavior on his siblings. Bandmate Krist Novocelic, long his close friend, expressed great sadness that he was unaware of how serious Kurt’s problems were during his life even though he saw evidence of Kurt’s rage and watched him self-destruct. He says in hindsight it is obvious that Kurt was in extreme pain and that there were numerous red flags and cries for help, but he wasn’t able to recognize their seriousness at the time.

Novocelic also noted something crucial to an understanding of Kurt’s enormous antipathy toward fame and success: he said Kurt had a huge fear of being humiliated. As we watch Kurt in films and videos and hear his words, it becomes clear that he hid his fears with bravado, dark humor, dramatic performances, drugs and acting out. He derided establishment values and behaviors and deliberately set up barriers between himself and those who might have been best able to recognize and help him. And of course, it is that raw, urgent ugliness inside of him that sometimes comes out in gruesome drawings, in his bashing his guitar to smithereens on the battered wood floor of his own house, or in refusing to bathe or wash his hair for days, or living in squalor and backing out of major tours so he could go home to do little but play guitar, have sex and shoot up for days or weeks on end.

It is that very grunginess in his personal life that bled, sometimes almost literally, into his music, and made it so accessible, thrilling and fresh to a youthful audience tired of the smooth, highly produced technopop of the 1980s. Cobain’s squalor and literal stink combined with a vulnerability, a gritty poetic streak and a compulsion to create helped him build a dirtily sexy persona, but they also pushed him into a dangerously intense public world that made him endlessly terrified of being exposed, embarrassed, ridiculed, overadored and ultimately used up. So he used himself up in a hurry before life had a chance to do it to him.

I found it hard, it’s hard to find
Oh well, whatever, never mind

The urge to create and the urge to destroy, including the urge to self-destruct, were always living side by side within Kurt Cobain, and his overwhelmed family members shunted him back and forth among houses a number of times during his childhood, recognizing his neediness but experiencing it always as a destabilizing and dangerous force that they couldn’t control and couldn’t stand. He also had a long history of serious and excruciating abdominal pains that caused extreme and frequent pain and sometimes bloody vomiting, but there was little money available until the end of his life for psychological help or appropriate medical care. So he developed dangerous ways of self-medicating with food, drink and drugs that exacerbated his ill health. By the time he had the money for proper mental health support and medical care, his dangerous habits were well ingrained, and his beloved companion and wife Courtney Love was herself so drug-addled, angry and self-destructive that she could only feed into his addictions and his rejection of others’ attempts to offer help. When her eye started to wander and he recognized that even she, the partner whom he thought understood and loved him better than anyone, was on the verge of betraying him, he lost all hope, attempted suicide, and then successfully finished the job with a gun a few days later.

Hey, wait, I’ve got a new complaint
Forever in debt to your priceless advice

Why would someone want to sit through two hours of this dark story with so many regretful loved ones sitting stricken in front of the interviewer and recounting their memories with wringing hands and guilty eyes? Because the pain of his story, like the pain in his music, is compelling even as the details are sometimes repellent. Some of his memories, words and images are grim and disturbing, but watching the intimate dynamic between him and Courtney, drug-addled and gritty as it often was, shows why they were drawn to each other—admiration, understanding and humor are all evident, as is a certain pleasure in courting death and mayhem. It hurts to watch him hold his baby Frances with such loving tenderness and read and hear his words of devotion, then later see him barely able to hold her on his lap, so drugged-out and nearly incoherent is he in one awful scene. It is hard to watch knowing that Courtney, a friend filming the scene and another helping with the baby were all present, and, like everyone else in the film, they observed the clear self-destruction of the man but no one either would or perhaps could do anything to pull him back from the brink.

I saw the film in Seattle’s Egyptian Theater, which is right in the neighborhood where Cobain had his last meal. One block from the theater is Linda’s Tavern, where he was last seen alive on the night before he shot himself through the head. The film is currently in a few theaters around the U.S. and in the U.K., and is garnering high praise for its intimate portrayal of the man and his life and his ardent, nearly compulsive need to create. I’m glad to have enjoyed it in a cinema where the never-before-seen concert footage was especially powerful and immersive and the intimate moments felt even more immediate. I’m even gladder that it will be available to so many more via HBO television showings.

I’m so ugly, but that’s okay, cause so are you
We’ve broken our mirrors
Sunday morning is everyday for all I care
And I’m not scared

While the film has received mostly very good reviews, some have complained that it is uneven and a bit jumbled because of the lack of a narrator and the sometimes abrupt switches between interviews with those who knew him, private film footage, concert footage, images of his writing and art and montages of animation and recordings. Boyd van Hoeij of The Hollywood Reporter wrote that the film is “impressive in parts, but wildly uneven as a whole.” I found this unevenness and the montage style particularly appropriate for the story of a hyperkinetic, often drugged-out man with serious mental and emotional problems. I might have found the style more annoyingly disjointed had it been used to tell the story of a different subject, but in this case the style illustrates how overwhelming it must have felt to live inside of Cobain’s brain and body. The barrage of images and sounds approximate the cacophany of a grunge concert, a life of rock and roll excess and the disabling and endless waves of chronic and extreme physical and emotional pain he felt. All of that is shown amid reminders of how much love and admiration those around him felt and wanted to share with him alongside the frustration and confusion they felt over his extreme emotions and behaviors.

A denial, a denial, a denial, a denial.

The film, which gets its name from a musical collage made by Cobain with a four-track cassette recorder before Nirvana became famous, is no feel-good movie. It is often funny, sometimes darkly beautiful and occasionally mesmerizing, but it is also a very raw view of the life of a dangerously mentally ill and emotionally damaged human being. Even though it shows how difficult and ugly he and his life could be, it also helps us see his vulnerability, humanity and his hunger to create, and it makes clear his devotion to his wife and child.

This film helps to humanize Kurt Cobain without lionizing him. Seeing how far back his deep emotional illnesses went also helps us to empathize with him and feel sympathy along with the disgust his actions sometimes inspire. The film shows how off-puttingly, determinedly filthy, squalid and unhealthy his lifestyle often was (though he and Courtney did sometimes live in luxury hotels in Seattle and elsewhere once they became wealthy), and interviews with his mother and his widow give some glimpse into their own sometimes impaired ability to see how much of a part each of them played in his feeling unsupported and betrayed.

He’s the one
Who likes all the pretty songs
And he likes to sing along
And he likes to shoot his gun

David Fear of Rolling Stone described the film as “the unfiltered Kurt experience,” noting that Cobain is shown “not [as] a spokesman for a generation,” but as “a human being, and a husband, and a father.” Frances Bean Cobain said at the documentary’s premiere in Los Angeles, “After seeing it, I thought I could only watch it once. But the film that [Morgen] made—I didn’t know Kurt, but he would be exceptionally proud of it. It touches some dark subjects, but it provides a basic understanding of who he was as a human, and that’s been lost.”

I agree.
36062 Total Views 68 Views Today

Kurt Cobain: Beauty Born of Pain
February 20, 2023 Laura Grey
[Originally published in November 2016.]

As the holidays approach, I’m reminded of multiple painful Thanksgiving dinners years ago during which I felt forced to spend time with a relative who repeatedly bullied me. She insulted me in my own house, picked fights with me in front of others and blamed me for actions I hadn’t taken, and for words I never said. Ultimately, I refused to be treated that way anymore, and stopped spending holidays with someone who insisted on telling lies about me and attacking me for things I didn’t do. Having to refuse to see her at holidays was very painful, but spending time with someone who claimed to love me yet also berated, insulted and lied to me and about me was worse.

If you find yourself in a situation in which you are dreading holidays because you fear that you will be insulted or attacked, or worry that you will feel trapped and helpless, remember: there is no rule that says you must be with other people at holiday time. We have all been told that spending a holiday alone is terrifying and awful, and that holiday solitude means we are bad or worthless, unloved or unloving. None of that is true.

If you dread the holidays because you fear you have no alternative but to walk into the lion’s den and be eaten, know that it is perfectly okay to stay home (or go away someplace) and celebrate the day in your own way. You can be thankful and be a good person even if you eat a bowl of soup by yourself or with only your partner or immediate family, then take yourself out to a movie. You can sleep in and catch up on your novel, or binge watch your favorite TV show, or listen to podcasts while you do puzzles, or take a long walk with your favorite dog. You can eat spaghetti instead of turkey. You always have options.

The biggest concern about opting out of powerfully painful social interactions is often about how others will view you afterwards: will they shun you, punish you, talk about you behind your back if you don’t attend? They might. Your refusing to attend an event could cause a family rift. Not attending Thanksgiving with your in-laws or sister or dad might mean getting angry phone calls about it later, so there is a trade-off and a risk of future pain. But if you are miserable being with other people because they treat you with contempt or disregard, is that a healthy dynamic to perpetuate? If they (or you) become abusive when provoked, especially in the current political climate when so many of us are fragile, thin-skinned and worried about the future, engaging with others in anger after one too many glasses of holiday wine could be not only emotionally but physically unsafe.

If being with a person, even one whom you love, makes you feel sick, sad, worthless, angry or frustrated and efforts to interact in a healthier way haven’t worked, clinging to that relationship even though it brings out the worst in you and others can be very damaging. Being unwilling to accept another’s bad behavior just because it comes from a family member does not make you monstrous. Avoiding abusive situations is just good self care.

Depression is often exacerbated over the holidays when we compare what we think we need to feel fulfilled with what seems to be available to us. We may be reminded of past hurts, losses, shame and regrets, and they may overwhelm our feelings of love, happiness or safety. If you fear that being with certain people is not safe for you and will bring on destructive feelings toward yourself (or them), remember: you don’t have to engage. You don’t have to attend events. You can have a quiet holiday on your own without falling apart. Others may respond with hurt feelings, and you may have to deal with your own feelings of guilt (often not deserved) if you prioritize your own mental health above placating those who cause you distress. But if you’re an adult, you do have a choice about where you spend your time and with whom. Please don’t put yourself or others in harm’s way.

76406 Total Views 68 Views Today

Avoid Bullies During (and After) the Holidays
November 22, 2022 Laura Grey

Images

An incomplete but representative list of my experiences of sexual harrassment and assault:

• The obscene phone calls that started when I was 13.

• The coworker who stalked me from floor to floor in our Cupertino Apple building, cornered me, grabbed my hand and licked my wedding ring.

• The flasher at the park.

• The museum guard who followed me around the museum gallery in Washington DC and then came up to me to comment on my ass.

• The coworker in Menlo Park who moved his work station underneath the stairs so he could look up my dress when I went upstairs.

• The construction workers in Palo Alto who made loud bets about what I’d be like in bed.

• The bully sitting next to me in seventh-grade math who loudly accused me of stuffing my bra.

• The Livermore yahoos in pickup trucks who shouted obscenities and made kissing noises at me as they sped by me on the street when I was eleven years old and walking to the grocery store, the record store, the movies or just about anywhere. That kept up through high school, and a new crop did the same thing to me when I visited Livermore again in 2013.

• The San Jose coworker who asked about my breast size in front of my colleagues and referred to me as Sweet Buns until I made it clear that THAT wasn’t going to be tolerated.

• The coworker at a temp job who went to the lunch room when I did but brought no lunch, sat at the table next to mine and stared me down while I ate, refused to stop when I asked him to, and ultimately forced me to eat my lunches in my car for several months.

• Yet more, highly disturbing obscene phone calls that I received during my twenties, some of which included violent fantasy commentary and one of which incorporated a recording of my own voice taken from my outgoing work voicemail message.

• The supposedly liberal and forward-thinking Portland artist and friend of a friend who openly and blatantly assessed my body and spoke only to my breasts when introduced to me at a gallery opening.

• The man whom I supervised at Apple who announced that his wife was away for the weekend but that he had an open marriage, so I was welcome to come home with him.

• The beggar at the crowded Seattle bus stop who responded to my giving him bus fare by telling me what he’d like to do with me in the nearby building’s stairwell until I loudly told him to leave me alone, drawing the attention of 40 people or more, not one of whom spoke up or asked whether I was okay.

• The man in Rome who walked directly up to me on a very crowded sidewalk and grabbed both of my breasts hard before rushing away, which surprised not a single Roman.

• My daughter’s school bus driver who assumed that my daily “good morning” and the cookies I gave him at Christmastime constituted a come-on. This resulted in his grilling my neighbors about my marital status and hugging me close and hard against my will when he ran into me at my daughter’s school, resulting in my having to stop going to the bus stop and driving my daughter to school for the rest of the school year.

• The old man sitting behind me in the cinema in Nice, France, who stuck his hands through the gap in my seat and groped my ass when I was 16 and watching a movie with my friends.

• The Apple coworker for whom I babysat who suggested that the cure for his boredom was to have an affair with me.

• The harassing ex-boyfriend who texted and called endlessly to tell me that despite what I said, I actually loved and needed him, then stalked me, then wrote me to comment angrily on the book he saw me reading (in a city he had no business being in) and to tell me what my choice of book said about our defunct relationship, what my thoughts about him were, and why I was wrong.

And on and on and on.

So yeah. Me too.

223417 Total Views 68 Views Today

Me Too
October 17, 2017 Laura Grey
President Franklin Delano Roosevelt made the following statement during a campaign speech in November 1940, just over a year before the U.S. entered World War II:

“We are a nation of many nationalities, many races, many religions—bound together by a single unity, the unity of freedom and equality. Whoever seeks to set one nationality against another, seeks to degrade all nationalities. Whoever seeks to set one race against another seeks to enslave all races. Whoever seeks to set one religion against another, seeks to destroy all religion. “

This is a noble statement, but the president himself made the grave error of rounding up all people of Japanese descent and imprisoning them in internment camps during World War II on the baseless assumption that they would be less patriotic, loyal or law-abiding than people of other ancestries. He was wrong. Not one single Japanese-American was determined to have committed a treasonous act anywhere in the United States before, during or after World War II. Not one.

Indeed, many of those same Japanese-Americans fought nobly for the U.S. and Allied Forces during World War II, even as their families were imprisoned at home. FDR’s words quoted here are right and beautiful, but even he was blinded by fear. He had said at the outset of his presidency that the only thing we had to fear was fear itself, and fear is certainly the source of hatred for people and ideas other than our own. Fear makes us turn inward, and that allows us to remain ignorant, to refuse to empathize, ask questions or try to figure out how it feels to be one of those people who frighten us.

Fear keeps us from facing the humanity of our enemies, and makes us see enemies among our friends. It makes American governors look at orphaned Syrian toddlers and see danger; it makes Trump rally audiences look at a single African-American man who asks to be treated as if black lives matter, and then beat him to a pulp because he peacefully but loudly speaks up about bigotry in public. It is only by seeing others as human first that we can figure out how to talk to and deal with them honestly, honorably and peacefully.

[Image source: missrevolutionaries.com]

313376 Total Views 68 Views Today

Nothing to Fear But Fear Itself
November 22, 2015 Laura Grey

More images →

Quotes

“But I am very poorly today and very stupid and hate everybody and everything.” —Charles Darwin, in a letter dated October 1, 1861

414826 Total Views 69 Views Today

August 12, 2014 Laura Grey
“Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.” —Andy Warhol

414465 Total Views 68 Views Today

August 12, 2014 Laura Grey

More quotes →

Art & Life

Home
About Laura Grey
Articles
Galleries
Contact Laura

Search for: