Kesha Deconstructed

Why am I featuring a video by Kesha (formerly styled Ke$ha), the pop star who famously brushes her teeth with a bottle of Jack Daniels?

She cultivated a wasted party-girl persona when she first made it big, so you could be forgiven for thinking that she’s just a trashy, yodeling Valley Girl, or a rapping, adenoidal lightweight, or that her songs are indeed catchy but too full of drunken, sneering bad-girl behavior to merit much attention.

But don’t underestimate her talent or her power; Kesha has sold over 60 million albums around the world, and she began her music career as a back-up singer and pop song composer in her teens. She earned her first recording contract at 18 after growing up in a Nashville suburb learning about the business from her mother, a country music songwriter. Kesha cowrote every song on her first two albums and has written for other artists including Miley Cyrus and Britney Spears.

For several years I thought of her music as a bit of dumb fun providing bouncy background beats on my car radio when I need a mindless dance club-style lift, and I still see much of her music that way. No harm in that. But then I heard the spare, dark and moody version of her nightclub anthem “Blow” from her “Deconstructed” EP and gained a whole new respect for her.

Kesha usually relies on dirty sass and frequent vocal fry crackles along with a sort of grubby, drunken energy to make her songs stand out. In the deconstructed version of “Blow,” Kesha’s intense, breathy vocals are front and center and backed up by keyboard riffs brimming with tension and delicious dissonance. The song begins with a muffled, distorted piano and the layers of vibrating echo build menacingly behind her anxious, slightly frantic soft vocals. I think it’s a beautiful surprise from a totally unexpected source. Give it a listen.

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