Tag Archives: The Great War

Dulce Et Decorum Est: The Poetry of Wilfred Owen

When World War I broke out in 1914, many young men with stars in their eyes signed up to be soldiers, expecting war to be glorious. Based on all the pro-war propaganda they’d received throughout their short lives, most thought primarily of the honor of serving their country, and of the glory that would accrue to their names if they should fall in battle.
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But the war was much more brutal, enormous, and seemingly endless than expected. New war technologies (planes and tanks among them) and endless miles of muddy trenches were nightmarish, and left millions of men exposed to the elements and to attack from every direction. The endless horror was too much for many men who retreated into their minds and lost contact with the world. Shell-shock was rampant.
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Rather than hide their broken souls from the world, some writers during and after the war poured their horror and hopelessness out on the page.
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Dulce Et Decorum Est” is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. It describes the horrors of a mustard gas attack. The Latin title is from a verse written by the Roman poet Horace: “Dulce et decorum est pro patria mori.” In English, this means, “It is sweet and proper to die for one’s country”. The poem, which delivers a wry and ironic quotation of Horace’s words, is Owen’s best-known work.
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Wilfred Owen was killed in battle one week before Armistice Day. His parents learned of his death on the day the war ended. Their son was only 25 when he died, but he and his friend Siegfried Sassoon remain the best-remembered and most often-quoted English poets of World War I.
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Dulce Et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!– An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.–
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,–
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie:  Dulce et decorum est
Pro patria mori.

In Flanders Fields

flanders

 

In Flanders Fields

“In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.”

One of the most-often-quoted poems of what was for many years known as The Great War, “In Flanders Fields” was written by Canadian physician Lieutenant Colonel John McCrae in 1915. The poem was inspired by the funeral of McCrae’s friend and fellow soldier Alexis Helmer, who died in the Second Battle of Ypres. According to legend, fellow soldiers retrieved the poem after McCrae, initially dissatisfied with his work, discarded it. “In Flanders Fields” was first published on December 8, 1915 in the London-based magazine Punch. The poem refers to the red poppies that grew over the graves of fallen soldiers. The popularity of the poem led to the remembrance poppy becoming one of the world’s most recognized memorial symbols for soldiers who have died in conflict.